Description
"The creation of seamless illusion remains a driving tenet of Hollywood cinema. In order to preserve this illusion, no disruptions of cinematic space and time can be allowed. After collecting these discarded photographs from the Warner Brothers 1930s film sets, Divola began to group the randomly found images in haunting installations of fictive reality. From ""Hallways"" to ""Evidence of Aggression"", the artist evokes a film noir-like charged world from what once were flea market cast-offs. Featured essay by film critic Edward Dimendberg." (Description from external book data)
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